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Mid-Atlantic Popular &
American Culture Association

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“He May Hold No Lands and Sire No Children”: the Complicated Masculinity of Game of Thrones

Area: 
Presenter: 
Keegan Lannon
Presentation type: 
Paper
Abstract: 

The rules are fairly simple for high-born men in Westeros: a man needs to either be a great warrior or exert political influence. Often there is some cross-over, as the greatest warriors tend to win the most battles, and thus exert the most influence. Both influence and physical prowess sway the sexual politics of the Seven Kingdoms, leading to favorable marriages between large, powerful families which beget more power (and thus more armies and influence). A family’s status is solidified by true born sons advancing the family name either by being great warriors or by getting married to secure land rights and army loyalty. Thus, “good” highborn man is one who can secure power for the family (and in turn the surrounding lands).

There are two vocations which would seemingly give those who take up the oaths the opportunity for securing power for their families: the Kingsguard and the Night’s Watch. These two vocations allow for a man to be of service protecting either the king or the whole realm, which is an honorable thing for a man to do. It would seem this sort of voluntary military service for the betterment of society would be a clear path to influence and power, but both orders restrict those who take the oath from ever marrying or holding land. Because of this, a complicated identity arises where, by oath, the men are not allowed to better their situations but seemingly hold honorable positions in society; an opportunity for honor without reward. This paper will examine this conflicted masculine identity and how it plays a role in the series at large.

Scheduled on: 
Friday, November 7, 11:00 am to 12:15 pm

About the presenter

Keegan Lannon

Keegan Lannon has recently received his doctorate in English Literature from Aberystwyth University with a dissertation titled, Framing the Story: The Narrative Theory of Comics. He is a contributing co-editor of “I’m just a comic book boy”: The Intersection of Comics and Punk, a forthcoming collection of essays from McFarland Books, and a regular presenter at the Comics Art Conference, part of the San Diego International Comic Con. He also wishes he could ride a dragon.

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